Of the many girl-groups that came out of the 1960s, none is more
idiosyncratic and influential than the Shangri-Las. They were together
only five years, but within that time they subverted pop standards and
foreshadowed a generation of tough women in music. Critically, they are
not lauded in the way of the Ronettes, and they are certainly not a
household name like the Supremes. They were a little too low-brow with
an uncouth flair for theatrics that has placed them just left of the
girl-group canon.
This book examines the still-elusive validation of 1960s girl-groups as
a whole, but also paradoxically aims to free the Shangri-Las from that
category, viewing them instead with the sort of individuality
traditionally afforded to rock groups. They were somehow able to
challenge the status quo under the guise of sticky-sweet pop, a feat not
many pop groups can achieve, but which they do fleetingly but not
insubstantially in Golden Hits of the Shangri-Las.