The Seventh Seal is probably Bergman's best-known work and the film
that most clearly bears the director's unmistakeable signature.
The opening scene sets the tone: a stony beach under a leaden sky, the
knight alone with his thoughts, then the approach of black-clad Death,
whom the knight invites to play a game of chess. Bergman's medieval
allegory of faith and doubt is dark with the horrors of witch-burnings
and the plague. But it is also shot through with bright flashes of peace
and joy, symbolised in the milk and wild strawberries offered to the
knight by an innocent family of actors.
In his compelling appreciation, Melvyn Bragg describes his own first
encounter as a student with this extraordinary film, and how it revealed
to him another cinema, quite different from the Hollywood he had grown
up with. He recounts too his later meeting with Bergman himself, and how
the marks of the director's powerful personality are everywhere in this
troubling and inspiring masterpiece.