Frank Kermode is one of our most distinguished critics of English
literature. Here, he contributes a new epilogue to his collection of
classic lectures on the relationship of fiction to age-old concepts of
apocalyptic chaos and crisis. Prompted by the approach of the
millennium, he revisits the book which brings his highly concentrated
insights to bear on some of the most unyielding philosophical and
aesthetic enigmas. Examining the works of writers from Plato to William
Burrows, Kermode shows how they have persistently imposed their
"fictions" upon the face of eternity and how these have reflected the
apocalyptic spirit. Kermode then discusses literature at a time when new
fictive explanations, as used by Spenser and Shakespeare, were being
devised to fit a world of uncertain beginning and end. He goes on to
deal perceptively with modern literature with "traditionalists" such as
Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the
French "new novelists," and
such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether
weighing the difference between modern and earlier modes of apocalyptic
thought, considering the degeneration of fiction into myth, or
commenting on the vogue of the Absurd, Kermode is distinctly lucid,
persuasive, witty, and prodigal of ideas.