Widely acclaimed for giving an understanding of the connection between
Nietzsche's personal experience and his most famous ideas (Christopher
Lehmann-Haupt, New York Times) in her biography of Nietzsche, Nietzsche
in Turin, Chamberlain now renders a similar service to readers of Freud.
In this book, part biography, part literary criticism, she takes the
reader into the mind of Freud, toward a better understanding of the
thinker, his work, and art itself. The very idea of the subconcious as a
constant, active presence in our daily lives was Freud's greatest
contribution and has allowed generations of people to experience their
lives more deeply. His rigorous exploration of the dynamism and
structures of the subconscious, Chamberlain argues, was in itself an
important work of art. Using Freud's own writing on art and the
aesthetic theories of thinkers ranging from Nietzsche to Lionel
Trilling, Chamberlain examines Freud's art and shows how his imaginative
creations have revolutionized not only mental health, but our thinking
about art in general, by opening up the individual subconscious as a
subject. In elegant, accessible prose she describes how Freud split the
aesthetic atom, releasing a vast energy for individual creativity.