The 20th century saw radical changes in the way serious music is
composed and produced, including the advent of electronic instruments
and novel compositional methods such as serialism and stochastic music.
Unlike previous artistic revolutions, this one took its cues from the
world of science.
Creating electronic sounds, in the early days, required a well-equipped
laboratory and an understanding of acoustic theory. Composition became
increasingly "algorithmic", with many composers embracing the
mathematics of set theory. The result was some of the most
intellectually challenging music ever written - yet also some of the
best known, thanks to its rapid assimilation into sci-fi movies and TV
shows, from the electronic scores of Forbidden Planet and Dr Who to the
other-worldly sounds of 2001: A Space Odyssey.
This book takes a close look at the science behind "science fiction"
music, as well as exploring the way sci-fi imagery found its way into
the work of musicians like Sun Ra and David Bowie, and how music
influenced the science fiction writings of Philip K. Dick and others.