Don Quixote has been widely read and discussed outside Spain.
Interpreted before 1800 as a burlesque of chivalric romances, and
implicitly described as such by Cervantes himself, it was given a
sentimentalised and seriously philosophical interpretation by the German
Romantics. Dr Close is essentially concerned with the question why this
unhistorical and subjective reading of the novel prevailed, first in
Europe, then in Spain. He examines the stages by which, from 1860, it
progressively supplanted in Spain the hitherto dominant neo-classical
interpretation, and shows how this process kept pace with increasing
identification with movements of intellectual history, aesthetics,
literary criticism and scholarship in Europe. He clarifies the complex
reasons which have led Spaniards to see Don Quixote as a symbol of their
cultural history and identity, and reveals how preoccupation with
Spain's decadence has coloured the interpretation of the national
classic by leading Spanish critics, scholars and philosophers.