In The Rodrigo chronicles, Delgado adopts his trademark storytelling
approach that casts aside the dense, dry language so commonly associated
with legal writing to offer up a series of incisive and compelling
conversations about race in America. Rodrigo, a brash and brilliant
African-American law graduate, has been living in Italy and has just
arrived in the offices of a professor when we meet him. Through the
course of the book, the professor and he discuss the American racial
scene, touching on such issues as the role of minorities in an age of
global markets and competition, the black left, the rise of the black
right, black crime, feminism, law reform, and the economics of racial
discrimination. Expanding on one of the central themes of the critical
race movement, namely that the law has an overwhelmingly white voice,
Delgado here presents a radical and stunning thesis: it is not black but
white crime that poses the most significant problem in modern American
life.