The private museum has become a phenomenon of the 21st century. There
are some 400 of them around the world, and an astonishing 70% of those
devoted to contemporary art were founded in the past 20 years. Although
private museums have been accused of being tax-evading vanity projects
or 'tombs for trophies, ' the picture is far more complex. Georgina
Adam's investigation into this extraordinary proliferation, based on her
recent visits to over 50 private spaces across the US, Europe, China,
and elsewhere, delves into the reasons behind this boom, the different
motivations of collectors to display their art in public, and the
various ways in which the institutions are financed. Private museums can
add greatly to the cultural life of a community, giving a platform to
emerging artists, supplying educational programmes, and revitalising
declining or neglected regions. But their relationship with public
institutions can also be problematic. Should private museums step in to
fill a gap left by declining public investment in culture, and what are
the implications for society and the arts? At a time of crisis in the
museums sector, this book is an essential and thought-provoking read.