Revision with unchanged content. Reality programs have transformed
televison, pushing many traditional narra-tives such as miniseries,
sitcoms, and movies of the week off the dial. Be-cause of the genre's
roots in documentary, many scholars and critics have condemned reality
televison for its perceived lack of formal appropriateness and for how
it uses documentary conventions for sensational purposes. Examining four
representative programs, this book takes a different position, arguing
that reality television has more in common with traditional narrative
programs than with documentary: its rhetoric is a narrative rhetoric.
Whereas documentaries tend to use argument as a primary mode within
which narration may figure, reality programs operate within a primarily
narrative mode, telling dramatic stories about "real" people. And the
success of the reality television phenomenon may be due to those very
narrative structures it employs to order and construct its reality. This
book will interest those in the fields of Communications, Rhetoric, Film
Studies, Television Studies, Media Studies, and Popular Culture Studies.