Reality programs have transformed televison, pushing many traditional
narratives such as miniseries, sitcoms, and movies of the week off the
dial. Because of the genre's roots in documentary, many scholars and
critics have condemned reality televison for its perceived lack of
formal appropriateness and for how it uses documentary conventions for
sensational purposes. Examining four representative programs, this book
takes a different position, arguing that reality television has more in
common with traditional narrative programs than with documentary: its
rhetoric is a narrative rhetoric. Whereas documentaries tend to use
argument as a primary mode within which narration may figure, reality
programs operate within a primarily narrative mode, telling dramatic
stories about "real" people. And the success of the reality television
phenomenon may be due to those very narrative structures it employs to
order and construct its reality. This book will interest those in the
fields of Communications, Rhetoric, Film Studies, Television Studies,
Media Studies, and Popular Culture Studies.