""The Return of the Real" is one of the most cogent and theoretically
self-aware readings of contemprary art I have seen."
-- Howard Singerman, Department of Art History, University of Virginia
In "The Return of the Real" Hal Foster discusses the development of art
and theory since 1960, and reorders the relation between prewar and
postwar avant-gardes. Opposed to the assumption that contemporary art is
somehow belated, he argues that the avant-garde returns to us from the
future, repositioned by innovative practice in the present. And he poses
this retroactive model of art and theory against the reactionary undoing
of progressive culture that is pervasive today.