This book will be the first serious monograph about the Retablo de
Isabel la Catolica (ca. 1496-1504) painted by Juan de Flanders and
Michel Sittow. After tracing the history and critical history of the
altarpiece (and publishing some archival material for the first time),
it will present the first discussion of attribution to the supported by
technical examination of the individual panels, including infrared
reflectography and microscopie examination of the painted surface.
Technical examination also supports an interpretation of the artists'
treatment of subject matter as being closely related to the religious
and political issues that concerned Queen Isabella in the waning years
of her reign. The conservatism inherent in the austere painted treatment
of the lives of Christ and the Virgin Mary is compared to conservative
works of religious literature commissioned by or dedicated to the Queen
in the years that the altarpiece was being painted. Finally, a brief
catalogue of the surviving twenty-eight panels will restore a degree of
narrative coherence to a project that is too little understood in large
part because of the early dispersal of its paintings.