This book mobilises the concept of kitsch to investigate the tensions
around the representation of genocide in international graphic novels
that focus on the Holocaust and the genocides in Armenia, Rwanda, and
Bosnia. In response to the predominantly negative readings of kitsch as
meaningless or inappropriate, this book offers a fresh approach that
considers how some of the kitsch strategies employed in these works
facilitate an affective interaction with the genocide narrative. These
productive strategies include the use of the visual metaphors of the
animal and the doll figure and the explicit and excessive depictions of
mass violence. The book also analyses where kitsch still produces
problems as it critically examines depictions of perpetrators and the
visual and verbal representations of sexual violence. Furthermore, it
explores how graphic novels employ anti-kitsch strategies to avoid the
dangers of excess in dealing with genocide. The Representation of
Genocide in Graphic Novels will appeal to those working in
comics-graphic novel studies, popular culture studies, and Holocaust and
genocide studies.