In the 1960s and 1970s, an American professor of Soviet economics
forayed on his own in the Soviet Union, bought the work of underground
"unofficial" artists, and brought it out himself or arranged to have it
illegally shipped to the United States. Norton Dodge visited the
apartments of unofficial artists in at least a dozen geographically
scattered cities. By 1977, he had a thousand works of art. His ultimate
window of interest involved the years from 1956 to 1986, and through his
established contacts he eventually acquired another eight thousand
works - by far the largest collection of its kind. John McPhee
investigates Dodge's clandestine activities in the service of dissident
Soviet art, his motives for his work, and the fates of several of the
artists whose lives he touched.