Memories are like layers of your skin or layers of paint on a canvas.
In The Queen of Peace Room, Magie Dominic peels away these layers as
she explores her life, that of a Newfoundlander turned New Yorker, an
artist and a writer -- and frees herself from the memories of her
violent past.
On an eight-day retreat with Catholic nuns in a remote location safe
from the outside world, she exposes, and captures, fifty years of
violent memories and weaves them into a tapestry of unforgettable
images. The room she inhabits while there is called The Queen of Peace
Room; it becomes, for her, a room of sanctuary. She examines
Newfoundland in the 1940s and 1950s and New York in the 1960s; her
confrontations with violence, incest, and rape; the devastating loss of
friends to AIDS; and the relationship between life and art. These
memories she finds stored alongside memories of nature's images of trees
pulling themselves up from their roots and fleeing the forest; storms
and ley lines, and skies bursting with star-like eyes.
In The Queen of Peace Room, from a very personal perspective, Magie
Dominic explores violence against women in the second half of the
twentieth century, and in doing so unearths the memory of a generation.
In eight days, she captures half a century.