This book examines the interconnections between punk and alternative
comedy (altcom). It explores how punk's tendency towards humour and
parody influenced the trajectory taken by altcom in the UK, and the punk
strategies introduced when altcom sought self-definition against
dominant established trends. The Punk Turn in Comedy considers the
early promise of punk-comedy convergence in Peter Cook and Dudley
Moore's 'Derek and Clive', and discusses punk and altcom's attitudes
towards dominant traditions. The chapters demonstrate how punk and
altcom sought a direct approach for critique, one that rejected
innuendo, while embracing the 'amateur' in style and experimenting with
audience-performer interaction. Giappone argues that altcom tended to be
more consistently politicised than punk, with a renewed emphasis on
responsibility. The book is a timely exploration of the 'punk turn' in
comedy history, and will speak to scholars of both comedy and punk
studies.