What if fashion was a state? What kind of state would it be? Probably
not a democracy. Otto von Busch sees fashion as a totalitarian state,
with a population all too eager to enact the decrees of its aesthetic
superiority. Peers police each other and deploy acts of judgment,
peer-regulation, and micro-violence to uphold the aesthetic order of
fashion supremacy.
Using four design projects as tools for inquiry, Von Busch explores the
seductive desires of envy and violence within fashion drawing on
political theories. He proposes that the violent conflicts of fashion
happen not only in arid cotton fields or collapsing factories, but in
the everyday practice of getting dressed, in the judgments, sneers, and
rejections of others. Indeed, he suggests that feelings of inclusion and
adoration are what make us feel the pleasure of being fashionable-of
being seductive, popular, and powerful.
Exploring the conflicting emotions associated with fashion, Von Busch
argues that while the current state of fashion is bred out of fear, The
Psychopolitics of Fashion can offer constructive modes of mitigation
and resistance. Through projects that actively work towards disarming
the violent practices of dress, Von Busch suggests paths towards a more
engaging and meaningful experience of fashion he calls "deep fashion."