Two surreal graphic novels about technology, corporatization, and
alienation in the modern world by a cult-favorite comics innovator.
In 1968, the British artist and writer Martin Vaughn-James emigrated to
Canada. Over the next eight years, he proceeded to produce some of the
most mesmerizing and inventive works in comics, light-years ahead of his
contemporaries. Among them were Elephant and The Projector, linked
graphic novels that guide the reader (and a bespectacled Everyman)
through landscapes built out of both the everyday and the nightmarish.
Jam-packed superhighways, plummeting horses, vast urban wastelands,
colossal businessmen, demented cartoon animals, and interstellar oranges
are just a small part of Vaughn-James's prophetic vision of society's
turn away from the natural world to the artificial.
Together for the first time in a single volume, designed and edited by
Seth and with an introduction by Jeet Heer, Elephant and The
Projector stand as a reminder that we have yet to catch up to
Vaughn-James.