The contributions to this volume show that, in pre-industrial Europe,
women in their prime, women, that is, who had reached maturity and were
beyond fertility, but not yet in old age, constitute a separate category
for historical and literary analysis. These wise old women, or WOWs,
took on tasks in society which were essentially different from the ones
they had taken on before, mainly in the household. The case studies
presented here show that some of these women entered a second phase of
creativity and productivity and were even able to fulfil their desires
at the age of forty. Being able, at last, to find their authentic
selves, they acquired a female voice of their own. For some of them, for
example, Christine de Pizan, the age of forty even functioned as a trope
of female authorship.