Molly Nesbit shows how American pragmatism has informed art theory
from Meyer Schapiro to T.J. Clark and Linda Nochlin
First published in 2013 and quickly going out of print, Molly Nesbit's
The Pragmatism in the History of Art traces the questions that modern
art history and theory has used to make sense of the changes overtaking
both art and life. Opening with a consideration of pragmatism's origins
in the thought of Charles Sanders Pierce, William James and John Dewey,
the book examines the overlaps and disparities between art and
philosophy across several generations of art historians, crossing back
and forth over the Atlantic. A genealogy emerges through case studies on
the work of Schapiro, Henri Focillon, Alexander Dorner, George Kubler,
Robert Herbert, T.J. Clark and Linda Nochlin. The philosophy of Michel
Foucault and Gilles Deleuze and the films of Chris Marker and Jean-Luc
Godard also show distinctly pragmatic effects. Artists discussed include
Vincent van Gogh, Isamu Noguchi, Lawrence Weiner and Gordon Matta-Clark.
The Pragmatism in the History of Art precedes Midnight: The Tempest
Essays in Nesbit's Pre-Occupations series.
Molly Nesbit is Professor in the Department of Art at Vassar College
and a contributing editor of Artforum. Her other books include
Atget's Seven Albums (1992) and Their Common Sense (2000).
