There is a growing interest in the notion and practice of dramaturgy
(the theory and practice of dramatic composition), which is often
discussed either as the work of the dramaturg, or as the compositional
or sense-making aspects of a performance. Drawing on such views, The
Practice of Dramaturgy addresses dramaturgy as a shared, politicized
practice that sets actions into motion in a speculative, rather than
didactic, way. The book proceeds in two parts: in the first part, the
authors return to the etymology of the term "dramaturgy" (from "drama,"
meaning action, and "ergon," meaning work) in order to scrutinize the
conception of dramaturgy as literally "working on actions" in relation
to debates on action, work and post-Fordist labor. In the second part,
guest authors suggest the different artistic, social and political
perspectives that such an understanding of dramaturgy might make
possible.