These essays focus on the absence of the poetic imagination in much
contemporary poetry and criticism. The retreat of poets into craft,
gender, race, and so on has made poetry seem more like soiciology than
literature. Such lack of insight can be attributed to forces in American
society that place undue emphasis on technique and identity rather than
talent and vision, currently evident as well in contemporary popular
music, dance, and art. There is a similar imaginative deficiency in the
teaching of literature and in political oratory and social commentary.
The consequence where poetry is concerned is the acceptance and
anthologizing of work that relies on novelty or shock for notice. We are
left with mere appearances instead of essences. In this collection,
Samuel Hazo calls for a return to forms of expression in which poet and
reader engage in a conversation that speaks to the human condition,
where less is more - The Power of Less.