During the 1970s, the United States became the world's preeminent
postindustrial society. The new conditions changed the way Americans
lived and worked, and even their perceptions of reality. Americans
struggled to find their place in a world where symbol became more
important than fact, appearance more important than reality, where image
supplanted essence. In this reassessment of a little studied decade, J.
David Hoeveler, Jr., finds that the sense of detachment and dislocation
that characterizes the postindustrial society serves as a paradigm for
American thought and culture in the 1970s. The book examines major
developments in literary theory, philosophy, architecture, and painting
as expressions of a 1970s consciousness. Hoeveler also explores the
rival "political" readings of these subjects and considers the
postmodernist phenomenon as it became an ideological battleground in the
decade. Clear and engaging, the work will be of great interest to
historians, theorists, and everyone who wants to further explore the
1970s.