The Poor (Os Pobres, 1906), by Portuguese author Raúl Brandão is a
powerful tribute to the underclasses. Innovative thematically and
stylistically, the novel consists of loosely connected vignettes on two
narrative levels: the lives of prostitutes, where the inexorable need
for love is transformed into a means for survival; and the life of Gebo,
a seemingly slovenly man, with neither sentiment nor intelligence.
Instead, as he searches tirelessly for work -- and loves his daughter
and wife with tenderness and constancy -- he is revealed as a victim of
the economic situation in Portugal. With prescience, Brandão emphasizes
the interdependence between nature and humankind by intertwining
descriptions of the physical and human surroundings, while his
depictions of desperation, sorrow and violence prefigure the works of
contemporary Portuguese writers.