Much has been written about Soviet literature and its political
significance in the years following the October Revolution, but little
has been written about the cinema in the same context. And yet in 1922
Lenin said, 'Of all the arts, for us the cinema is the most important.'
What did he mean? This book looks at the Soviet cinema in its formative
period from the political point of view, examining both the attitude of
the authorities towards the cinema and the actual use to which the
cinema was put. It demonstrates how, even at the height of the 'Golden
Era of the Soviet film', the Bolsheviks repeatedly failed to organise
the cinema successfully as an effective propaganda weapon. The book
provides an illuminating background of the political history of the
Soviet cinema in the twenties against which its most famous films can be
re-examined.