The years 1921 to 1927 were the most productive of Robinson Jeffers's
career. During this period, he wrote not only many of his most
well-known lyric poems but also Tamar, The Tower Beyond Tragedy,
Roan Stallion, and The Women at Point Sur--the long poems that first
established his reputation as a major American poet. Including an
introduction, chronology, and critical afterword, the Point Alma Venus
manuscripts presented here gather Jeffers's four unfinished but
substantial preliminary attempts at what became The Women at Point
Sur, which Jeffers believed was the "most inclusive, and poetically the
most intense" of his narrative poems.
The Point Alma Venus fragments and versions shed important light on
the composition and themes of The Women at Point Sur. Further, they
likely predate other key work from this crucial period, making them a
necessary context for those who wish to clarify Jeffers's poetic
development and to reinterpret his practice of narrative poetry.
Ultimately, they call on general and scholarly readers alike to
reconsider Jeffers's place in the canon of modern American poetry.