This book attends to four poets - John Clare, Gerard Manley Hopkins,
Edward Thomas, and Ivor Gurney - whose poems are remarkable for their
personal directness and distinctiveness. It shows how their writing
conveys a potently individual quality of feeling, perception, and
experience: each poet responds with unusual commitment to the Romantic
idea of art as personal expression. The book looks closely at the
vitality and intricacy of the poets' language, the personal candour of
their subject matter, and their sense, obdurate but persuasive, of their
own strangeness. As it traces the tact and imagination with which each
of the four writers realises the possibilities of individualism in
lyric, it affirms the vibrancy of their contributions to nineteenth and
twentieth-century poetry.