The Renaissance was the Ruin-naissance, the birth of the ruin as a
distinct category of cultural discourse, one that inspired voluminous
poetic production. For humanists, the ruin became the material sign that
marked the rupture between themselves and classical antiquity. In the
first full-length book to document this cultural phenomenon, Andrew Hui
explains how the invention of the ruin propelled poets into creating
works that were self-aware of their absorption of the past as well as
their own survival in the future.