This unique collection takes a fresh look at Orientalism by shifting its
center from Europe to Ottoman Istanbul and thinking about art in terms
of exchange, reciprocity, and comparative imperialisms. This new lens
reveals the essential role of the Ottoman city and its patrons and
artists in the dialogues that facilitated production, circulation, and
consumption of British Orientalist cultures. In this volume, art works
are conceptualized as traveling artifacts produced through localized
interactions. World renowned scholars and curators analyze the diverse
audiences for such art works and the range of differing contexts for
their reception both in the 19th century and more recently. In this way,
British art is put into a dynamic relationship with an historicized
understanding of cultures of collecting and display during the formation
of comparative modernities and also with the contemporary postcolonial
creation of new national models of exhibition and education.
Featuring stunning visuals, this book puts art history in the context of
cultural, visual, and literary studies, challenging the orthodoxies of
postcolonial theory with the materiality of multiple imperialisms and
modernities to offer a new take on the collection, display, and
consumption of Orientalist cultures.