Wallace Stevens's musicality is so profound that scholars have only
begun to grasp his ties to the art of music or the music of his own
poetry. In this study, two long-time specialists present a polyphonic
composition in which they pursue various interlocking perspectives.
Their case studies demonstrate how music as a temporal art form may
affect a poetic of ephemerality, sensuous experience, and affective
intensification. Such a poetic, they argue, invites flexible
interpretations that respond to poetry as an art of textual performance.
How did Stevens enact the relation between music and memory? How can we
hear his verse as a form of melody-making? What was specific to his ways
of recording birdsong? Have we been missing the latent music of Richard
Strauss, Gustav Mahler, and Claude Debussy in particular poems? What
were the musical poetics he shared with Igor Stravinsky? And how is our
experience of the late poetry transformed when we listen to a musical
setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal
to experts in the poet's work, students of Modernism in the arts, and a
wider audience fascinated by the dynamics of exchange between music and
poetry.