In The Places of Modernity in Early Mexican American Literature,
1848-1948, José F. Aranda Jr. describes the first one hundred years of
Mexican American literature. He argues for the importance of
interrogating the concept of modernity in light of what has emerged as a
canon of earlier pre-1968 Mexican American literature. In order to
understand modernity for diverse communities of Mexican Americans, he
contends, one must see it as an apprehension, both symbolic and
material, of one settler colonial world order giving way to another more
powerful colonialist but imperial vision of North America.
Letters, folklore, print culture, and literary production demonstrate
how a new Anglo-American political imaginary revised and realigned
centuries-old discourses on race, gender, class, religion, citizenship,
power, and sovereignty. The "modern," Aranda argues, makes itself
visible in cultural productions being foisted on a "conquered people,"
who were themselves beneficiaries of a notion of the modern that began
in 1492. For Mexican Americans, modernity is less about any particular
angst over global imperial designs or cultures of capitalism and more
about becoming the subordinates of a nation-building project that ushers
the United States into the twentieth century.