Pavel Florensky--certainly the greatest Russian theologian of the last
century--is now recognized as one of Russia's greatest polymaths. Known
as the Russian Leonardo da Vinci, he became a Russian Orthodox priest in
1911, while remaining deeply involved with the cultural, artistic, and
scientific developments of his time. Arrested briefly by the Soviets in
1928, he returned to his scholarly activities until 1933, when he was
sentenced to ten years of corrective labor in Siberia. There he
continued his scientific work and ministered to his fellow prisoners
until his death four years later. This volume is the first English
translation of his rich and fascinating defense of Russian Orthodox
theology.
Originally published in 1914, the book is a series of twelve letters to
a "brother" or "friend," who may be understood symbolically as Christ.
Central to Florensky's work is an exploration of the various meanings of
Christian love, which is viewed as a combination of philia
(friendship) and agape (universal love). Florensky is perhaps the
first modern writer to explore the so-called "same-sex unions," which,
for him, are not sexual in nature. He describes the ancient Christian
rites of the adelphopoiesis (brother-making), joining male friends in
chaste bonds of love. In addition, Florensky is one of the first
thinkers in the twentieth century to develop the idea of the Divine
Sophia, who has become one of the central concerns of feminist
theologians.