The Pictorial Art of El Greco: Transmaterialities, Temporalities, and
Media investigates El Greco's pictorial art as foundational to the
globalising trends manifested in the visual culture of early modernity.
It also exposes the figurative, semantic, and allegorical senses that El
Greco created to challenge an Italian Renaissance-centered discourse.
Even though he was guided by the unprecedented burgeoning of devotional
art in the post-Tridentine decades and by the expressive possibilities
of earlier religious artifacts, especially those inherited from the
apostolic past, the author demonstrates that El Greco forged his own
independent trajectory. While his paintings have been studied in
relation to the Italian and Spanish school traditions, his pictorial art
in a global Mediterranean context continues to receive scant attention.
Taking a global perspective as its focus, the book sheds new light on El
Greco's highly original contribution to early Mediterranean and
multi-institutional configurations of the Christian faith in Byzantium,
Venice, Rome, Toledo, and Madrid.