Drawing from a rich corpus of art works, including sarcophagi, tomb
paintings, and floor mosaics, Patrick R. Crowley investigates how
something as insubstantial as a ghost could be made visible through the
material grit of stone and paint. In this fresh and wide-ranging study,
he uses the figure of the ghost to offer a new understanding of the
status of the image in Roman art and visual culture. Tracing the
shifting practices and debates in antiquity about the nature of vision
and representation, Crowley shows how images of ghosts make visible
structures of beholding and strategies of depiction. Yet the figure of
the ghost simultaneously contributes to a broader conceptual history
that accounts for how modalities of belief emerged and developed in
antiquity. Neither illustrations of ancient beliefs in ghosts nor
depictions of afterlife, these images show us something about the visual
event of seeing itself. The Phantom Image offers essential insight
into ancient art, visual culture, and the history of the image.