Demonstrates how the basso continuo line has an independent musical
funxtion in ensemble music of the Italian Baroque period.
Covers the Italian Baroque period (1600-1730). Borgir rejects the notion
that the basso continuo line is doubled by bass instruments and shows
how these have an independent musical function in ensemble music. He
untangles their confusing terminology and also explores the unexpected
uses of the large lutes. Italian continuo practice included elaborate
training in improvisation described in detail here for the first time.
Tharald Borgir is Professor Emeritus in the Music Department at Oregon
State University. His principal performance activities have been on the
harpsichord and the fortepiano.