What really happens between a spectator and a work of art at the moment
of encounter? How does one experience "meaning" in a work of art? How
does an interpretation of an art object come to take hold for a viewer?
How can that process of interpretation, which often takes place at a
subconscious level beyond language, be understood and articulated? In
The Perfect Spectator, author Janneke Wesseling, Professor of Visual
Arts at Leiden University in the Netherlands, addresses these questions
by turning to the field of reception aesthetics, with its central
premise that the contemplation of art is a matter of interaction between
an active artwork and an active observer. Wesseling proceeds from her
own intensely personal encounters with art objects, and her professional
experience studying and writing about art, in order to arrive at a new
theoretical framework for the sight and contemplation of art.