For most of us, remembering the Holocaust requires effort; we listen to
stories, watch films, read histories. But the people who came to be
called "survivors" could not avoid their memories. Sol Nazerman,
protagonist of Edward Lewis Wallant's The Pawnbroker, is one such
sufferer.
At 45, Nazerman, who survived Bergen-Belsen although his wife and
children did not, runs a Harlem pawnshop. But the operation is only a
front for a gangster who pays Nazerman a comfortable salary for his
services. Nazerman's dreams are haunted by visions of his past tortures.
(Dramatizations of these scenes in Sidney Lumet's 1964 film version are
famous for being the first time the extermination camps were depicted in
a Hollywood movie.)
Remarkable for its attempts to dramatize the aftereffects of the
Holocaust, The Pawnbroker is likewise valuable as an exploration of
the fraught relationships between Jews and other American minority
groups. That this novel, a National Book Award finalist, remains so
powerful today makes it all the more tragic that its talented author
died, at age 36, the year after its publication. The book sold more than
500,000 copies soon after it was published.