"Tender, ruminative... Fugard has been anatomizing the evils of
apartheid, and the troubling legacies it left behind, throughout his
long and distinguished career." --Charles Isherwood, New York Times
Inspired by the life of Nukain Mabuza, a self-taught artist who painted
the boulders on the farm on which he worked, The Painted Rocks at
Revolver Creek observes two differing experiences with racism, in the
decades during and following apartheid, while ultimately illuminating
the meaning of preserving the history of one's own past.