Catherine Ann Cullen's interests in folklore, myth and popular song are
everywhere evident in the poems she has published over the past decade.
Collected as A Bone in My Throat (2007) and Strange Familiar (2013), her
poems are drawn to the narrative turns and dramatic twists of stories
that tell us much about ourselves, and on which our first efforts at
making sense of the world are often based. The best of those earlier
books is regathered here, together with a generous selection of new
poems. These include timely celebrations of the life of Rosie Hackett
and of the women of 1916, poems that forge an imaginative connection
with contemporary victims of political injustice and discrimination, and
a sequence that, through the haunting images left to us by the painter
Caravaggio, seeks to eavesdrop on the voices hovering just this side of
darkness, as they contemplate the seven works of mercy.
"Cullen's poems can be blatantly sensual, always sensitive, shadowed by
ancient allusions, and sometimes defiant .... [Strange Familiar]
leaves the reader perfectly sated, as after a feast of good words and
fine company."
-- Australasian Journal of Irish Studies