How was Restoration comedies performed on the Restoration stage? How did
Wycherley or Congreve expect their plays to be acted? How much were they
influenced by theatrical conditions and conventions? What happened in
performance, when the plays were graced with 'the ornament of action'?
In this book, which was originally published in 1979, Peter Holland
brings together the disciplines of theatre history and literary
criticism in a close study of the manner and significance of the staging
of plays in the Restoration. The dramatists, working with the strengths
and weaknesses of their own theatre companies very much in mind, are
shown using a whole range of staging techniques in order to help their
audience understand their plays. The reader can visualise the plays as
they must have looked at the time of the original performance.
Throughout he challenges the conventional distinction between text and
performance, and seeks to turn us from readers into spectators.