The Origin of German Tragic Drama is Walter Benjamin's most sustained
and original work. It begins with a general theoretical introduction on
the nature of the baroque art of the sixteenth and seventeenth
centuries, concentrating on the peculiar stage-form of royal martyr
dramas called Trauerspiel. Benjamin also comments on the engravings of
Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he
argues, was distinguished from classical tragedy by its shift from myth
into history. Georg Lukacs, an opponent of Benjamin's aesthetics,
singled out The Origin of German Tragic Drama as one of the main
sources of literary modernism in the twentieth century.