The book examines the perception of the organist as the most influential
musical figure in Victorian society through the writings of Thomas Hardy
and Robert Browning. This will be the first book in the burgeoning area
of research into the relationship of music and literature that examines
the societal perceptions of a figure central to civic life in Victorian
England.
This book is deliberately interdisciplinary and will be of special
interest to literature scholars and students of Victorian studies,
culture, society, religion, gender studies, and music. However, the
nature of the text does not require specialist knowledge of music.