This book is a challenging investigation of the idea of literary mimesis
in the light of contemporary literary theory. Drawing on a range of
theoretical perspectives developed in and around the work of Barthes,
Kristeva, Genette and Derrida, Dr Prendergast explores approaches to the
concept of mimesis and relates these to a number of narrative texts
produced in the period which literary history familiarly designates as
the age of realism: Balzac's Illusions Perdues and Splendeurs et Misères
des Courtisanes, Stendhal's Le Rouge et le Noir, Nerval's Sylvie and
Flaubert's L'Education Sentimentale. The book is not merely expository
however: one of the author's aims is to engage with much of the
polemical debate which has surrounded the topic, in the belief that a
recognition of the historical conditions determining both the theory and
practice of mimesis must be recovered.