A new, haunting, unexpectedly relevant rendering of an ancient Indian
short story collection by a contemporary author and Buddhist
practitioner.
The twenty-five tales included in The Oceans of Cruelty constitute one
of the oldest collections of stories in the world, a book that offers
both a set of uncanny, unsettling, and unforgettable narratives and a
profound meditation on what weird thing it is that drives us to tell and
to listen to stories. "Tales of the Vetala" is one of the names under
which these stories have made their way from ancient India to the world
at large, a Vetala being a corpse-spirit, and the frame story to the
collection as a whole tells of a young king who bears the burden of a
double spell. He has fallen under the power of a sorcerer, whose demand
is that he fetch to him a Vetala to be his servant, and he has fallen
under the power of the Vetala itself. Like a bat, the Vetala roosts
upside down in the branches of a tree, and night after night the king is
driven to take it down and bear it on his back to the burial ground
where, once laid to rest, it will fall into the sorcerer's hands.
Night after night, king and spirit make their way from tree to burial
ground, and as they do the spirit whispers a riddling story in the
king's ear. If the king knows the answer to the riddle, he must tell it;
as soon as he tells it, the spirit flies back to the tree. Thus story
follows story, the king's labors continue, and neither he nor the spirit
finds rest. Only when the king has no idea what the answer to the riddle
may be, when he is unable at last to respond to the story at all, will
his obligation to the sorcerer be fulfilled and will he be set free,
though when that comes to pass--well, that's when the whole story takes
a new turn.
Within this framework, The Oceans of Cruelty unfolds a suite of tales
of suicidal passion, clever deceit, patriarchal oppression, obligatory
self-sacrifice, changing bodies, and narrow escapes from death. Here are
all the passions, and here is the play of appearance and desire from
which stories are drawn and that make us come back hungry for story,
wondering how will the story end and when at last will we be done with
all those stories?
Douglas Penick's recreation of this ancient work brings out all its
humor and horror and vitality, as well its unmistakeable relevance in a
world of stories gone viral.
