The Object of Conservation examines how historic buildings, monuments
and artefacts are cared for as valued embodiments of the past. It tells
the fascinating story of the working lives of those involved in
conservation through an ethnographic account of a national heritage
agency.
How are conservation objects made? What is the moral purpose of that
making and what practical consequences flow from this? Revealing the
hidden labour of keeping things as they are, the book highlights the
ethical commitments and dilemmas involved in trying to care well. In
doing so, it reveals how conservation objects are made literally to
matter. Taking debates in the interdisciplinary field of heritage
studies forward in important new directions, the book engages with
themes of broader interest within the arts, humanities and social
sciences, shedding new light on time, authenticity, modernity,
materiality, expert knowledge and the politics of care.
The Object of Conservation is a thought-provoking and engaging account
that offers original insights for students, scholars, heritage
professionals and others interested in the work of caring for the past.