In order to traverse a city where identity is tagged by accent, Rosine,
Gail Scott's part-Indigenous protagonist, performs an ever-shifting
amalgam, ventriloquizing often suspect voices, both contemporaneous and
ancestral. Her inability to claim a legacy becomes a trajectory of
disjunctions where place, language, and race are lived through in the
most detailed ways, fostering schisms that challenge what narrative has
come to mean under the rubric of the "novel." Though a mystery, possibly
involving murder, The Obituary is less a whodunit than an investigation
of who speaks when "one" speaks.