In such a wide-ranging, long-standing, and international field of
scholarship as Beowulf, one might imagine that everything would long
since have been thoroughly investigated. And yet as far as the
absolutely crucial question of the poem's origins is concerned, that is
not the case.
This cross-disciplinary study by Bo Gräslund argues that the material,
geographical, historical, social, and ideological framework of Beowulf
cannot be the independent literary product of an Old English Christian
poet, but was in all essentials created orally in Scandinavia, which was
a fertile seedbed for epic poetry.
Through meticulous argument interwoven with an impressive assemblage of
data, archaeological and otherwise, Gräslund offers possible answers to
the questions of the provenance of the Geats, the location of Heorot,
and many more, such as the significance of Sutton Hoo and the
signification of the Grendel kin and dragon in the sixth century when
the events of the poem, coinciding with cataclysmic events in northern
Europe, took place.