In his Natural History, Pliny the Elder organises his discussion of
crafts according to the raw materials they utilize. However, scholarly
literature has paid little attention to the aspect of materiality,
preferring to focus on the biographies and achievements of ancient Greek
artists. This collection instead addresses the presentation of artistic
processes and their materials in the Natural History. This approach
corresponds with current developments in the study of Greco-Roman art,
wherein scientific analysis of artistic materials including stones,
pigments, and metal alloys, as well as a deeper understanding of
workshop practices, has imposed profound changes on the methods used in
the study of ancient artefacts.