The Music of Film opens up the world of film music from the inside.
Through a series of interviews and conversations with professional
composers, music supervisors, music editors, and picture editors, this
book shows how music for film and television works according to insiders
in the industry.
Here we find a comprehensive collection of techniques and personal
insights and get a unique perspective on how these key players in
postproduction interact, collaborate, and successfully build their
careers.
The Music of Film is essential reading for composers, editors,
directors, and producers-aspiring and established alike-or anyone
interested in learning how to start or manage a profession working with
music in feature films, television, and other media.