Moving images have become an increasingly common feature in a wide range
of museums, which are frequently populated with screens and audio-visual
projections. But when did films start to be displayed in museum
galleries? And what are the issues at stake when showing moving images
in exhibition spaces?
With an innovative and strongly interdisciplinary theoretical framework,
this book offers an extensive investigation of the use of audio-visuals
in exhibition design. Highlighting the continuities and fractures
between different periods, contexts and practices, Elisa Mandelli shows
the deep influence of audio-visuals on the configuration of the
exhibition space, as well as on the relationship between museums and
their visitors.